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Directing credits include productions at Polka Theatre, Derby Theatre, Nottingham Playhouse, Tara Arts, Curve Theatre, Soho Theatre and Prithvi Theatre, Mumbai, India. She was awarded the Naseem Khan commission with Curve, Bristol Old Vic and The Lowry.
Trina is a former participant with the National Theatre – Step Change programme, The Optimists with China Plate and a Clore50 SC Alumni. She consults with Theatres and consortium to increase representation on and off our stages and has spoken at a number of platforms including the Guardians “Our Nations Theatre” conversations with Lyn Gardner and on Radio 4s Front Row programme.
Trina is Co-Chair of the board of international touring, Pilot Theatre (York), former board of Trustees for Theatre-Rites (London) and Advisor to Baboró International Arts Festival for Children (Galway).
I continued my journey as a Merchandiser working with smaller organisations and start-ups, but after having my first child I decided to move away from Retail. I moved to the not-for-profit sector, which is where I have remained and gained a broad skillset and experience supporting all aspects of office management, from Board Governance to HR to Finance. I haven't looked back since and have dedicated my working life to making sure small charities can flourish and thrive. I am delighted to be working in the Arts & Culture sector, bridging my experiences back to my creative beginnings.
My background is in visual arts, having trained in ceramics originally, and I am passionate about the place that arts and culture has to play in transforming and enriching people’s lives, in particular those who are most disadvantaged. Inspired by my previous work with SEND schools and Early Years settings, child-centred practice is at the heart of all my work, and I strongly believe in the importance of listening to children and supporting their voice and agency.
Being a mum myself I attended several Spark sessions before starting to work with The Spark watching ‘Stickman’ in children centres and libraries which inspired me to work with the Organisation when the role came up. I enjoy working in the background and making the Finance and HR systems work and liaising with various artists, people etc. But the joy that arts bring to a child is what I love to see the most.
He is currently producing the Royal Exchange Theatre’s radically community co-created Den Festival in Rochdale and Our Room’s Social Script programme, working on a new opera co-created with the Royal Opera House’s Young Opera Company, writing his first novels, and is funded by Julie’s Bicycle and Arts Council England to investigate community empowerment as a model of Environmentally Sustainable Deep Touring with international partners.
As co-founder of Knaïve Theatre he co-wrote and performed the world-touring, multi-international award-winning Bin Laden: The One Man Show; dramaturged several pieces including War With The Newts (Lustrum Award for Outstanding Theatre); and wrote an interactive, online, game-based environmental schools piece, Antarctica.
He is Associate Artist (Dramaturgy) of Smoking Apples Theatre Company whose Kinder won Ettie and Offie Awards for Theatre for Young Audiences in 2023.
Recent dramaturgy includes: Joshua Val Martin’s Today The Streets Are Ours for Royal Exchange Theatre, Alex Oates’s The Filleting App (RSC’s 37 Plays); Laura Bowler’s Distance with Juliet Fraser and Advert with Decoder Ensemble.
Libretti include: Samhain Bloom (Edward Shilts), Tiresias 2.0 (Dominic Matthews), Cummings & Goerings (Zhenyan Li) and Women Conduct (Laura Bowler).
Directing credits include: Bermondsey 1983 by Rob Reid Allan and Gareth Mattey, Cupboard Love by Madeleine Dring and The Operatists, GOLD, Antarctica, and FFF (movement direction) by Laura Bowler, Module 471 by Lucy Mulgan and The Operatists, The Macclefield Potatot Riot with the community in Macclesfield, and Dead Tree Gives No Shelter by Bysshe Inigo Coffey and company.
As Associate Director of Pan Intercultural Arts, she established London’s first intercultural youth performance company and founded two refugee arts programs for children that continue today. After earning a Master’s in Arts, Creativity, Education, and Culture (University of Cambridge), she transitioned into research and evaluation, consulting for arts organisations and theatres like the Royal Court, Kiln Theatre, and Tamasha. She lectures at universities, including the Central School of Speech and Drama and Rose Bruford College, and is currently developing a one-woman show.
Find us offline
Address
The Spark Arts For Children
LCB Depot
31 Rutland Street
Leicester
LE1 1RE
Telephone
0116 261 6893